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Beth Kwapis, Museum Coordinator Dream Title: Connoisseur of Human Folly Beth is: more voyeur than exhibitionist and is thus completely terrified to be sharing her thoughts via blog. That is no joke! I love mid-century Modern anything and I want to adopt 1-4 dachshunds with my husband (he remains ambivalent on the subject). Originally from the Detroit area, I am currently flirting with becoming a pescetarian because all one's protien needs can be met with the incredible sushi I'm discovering in San Diego. I basically snagged this job by coming into the Museum and begging the kind front desk staff to pass on my resume. I am not sure how I've managed to keep it. Carissa Baird, Museum Clerk Dream Title: Your Awesomeness Carissa is: an art lovin', fro wearin', burrito eatin', red wine drinkin', world travelin', movie watchin', girl with the small wrist tattoo. A political, sociological, feminist, (wannabe) artist, thinker, thrill-seeker, reader, and tiny dancer. A laid-back lady who left her heart in San Francisco--but came back with a college degree, and (future) pet whale in Antarctica--but he doesn't know I'm coming to claim him yet. I got this job because I have cool shoes, but I've kept it because I work with cool people. I'd rather be road trippin'. I eat boys and blogs for breakfast. Oh, and I love cliche's. GO CHARGERS!
Friday, November 19, 2010
Artist in Residence Week Wrap-up
Artist in Residence week has now come to a close. It was invigorating to have all the artists back in the Museum galleries activating the space once again. In response to all your changes each artist has come back to their artworks and altered or added to them in order to create their ‘finished’ piece. As expected the artists surprised us with great happenings during this process and have left the galleries and hallways with more stirring work for everyone to enjoy. I would like to thank the artists for working with us on this project. Above are a few pictures of the changes. The show will be up until December 31, 2010 so get in here and see the changes yourself before then.
Keep your eyes peeled; there are still a few changes to come in Marisol Rendon’s installation, Esperanto.
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